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Photography - Thoughts about Symbolism

  

by: stevej

Fri Apr 29, 2011 at 19:00:00 PM EDT


symbolism spelt out in letter dice and an egg timer

A version of this was originally posted on my blog Minimalist Photography 101

The Aesthetic

I like photographing geometry. I am attracted to images where  parallel lines, circles, squares  feature strongly. This extends to the third dimension with the simple volumes all appealing, i.e spheres, cubes, cones and pyramids. I also possess the photographers love of and obsession with light.  This combination is probably to be expected of someone who claims to have an affinity for minimalism.

stevej :: Photography - Thoughts about Symbolism
If this were the end of the story I'd always be happiest working  in the abstract, with objects that possess no meaning themselves  but are only a means to affect light, to reflect, refract or absorb it or of any combination of the three.

I enjoy working in the abstract but I also get a deep sense of satisfaction from working with certain objects that goes way beyond their aesthetic properties. This actually goes against the grain of pure minimalism in the aesthetic sense as minimalist art, by definition, should be self contained and without need of external context.

The Symbolic

I think that this enjoyment can come from one of two places. Occasionally a direct reference to something in my past but this is rare as, for example, I get as much pleasure from photographing food that I don't like the taste of as I do from photographing food that I'd walk across broken glass for a spoonful of. It is all in the visuals - either it has interesting form and does interesting stuff to light or it doesn't. So the direct reference thing doesn't satisfactorily account for the connection with recognizable objects it has to be something else.

That something else is a type of symbolism. An object may represent many different things depending upon how it is lit and how it relates to other objects in the frame. This is where the minimalism comes in, the objects that I gravitate towards have very simple geometries such as the cubes of dice, the flattened cylinders of checkers pieces or even the combined sphere, cone and cylinders of chessmen.

Chess

I tend to use chess pieces a lot. The reason for this is that they can be used to symbolize so much and with a surprising amount of nuance. There are the obvious war and conflict themes but also others. Here are just a few possibilities, some of which I've explored and many that I haven't:

Protection - queen standing over pawn of same color
Treachery - piece in shadow observing same colored king in a well lit area
The Underdog - pawn next to toppled king of opposite color
Uniformity - group of pawns arranged in a line
Allegience - two kings given equal prominence
Pawn - representation of the masses
Bishop - representation of religion

games
These are just a few of the more obvious possibilities. 32 simple geometric volumes and simple board have the ability to represent war, peace, massive scales and personal ones. Everything from the death of a nation to  an illicit love affair.

Resonance

One thing I do not do is decide what concept that I want to illustrate, decide upon the symbols to use then set up the photographs. The actual process always starts from the object's visual properties and works outwards towards the meaning. An example, I was going through some stuff in our basement recently and came across some dice that were translucent. The dice appealed to me on a non-intellectual level, they were simple solids and were likely to do really interesting things to light.

It was only while working with the camera and the dice and the camera that the other layers of meaning started to reveal themselves. I have always enjoyed doing probability related math and have always enjoyed games and sport. It was only after putting in the mental effort and seeing that photography requires that the connection was made - the dice were perfect symbols for me. They resonated. It was this resonance that made me pick them up and start to work with them, without it the images, and more importantly the accompanying understanding never would have taken place. The real take home message for me is that the initial attraction to an object is not intellectual but instinctive and that an object either resonates or it doesn't This resonance is a combination of two things, an appealing aesthetic and the potential to pull together different parts of our individual experience leading to a deeper understanding of ourselves. It is the subconscious giving our conscious brain a heads up. The aesthetic is the key and the rest is the lock.

black and white dice

I'll be posting here every Friday at this time. Obviously any comments or thoughts about the post are welcome but please also feel free to ask any questions about photography. No guarantees but I will try my best to answer them and if I don't know an answer I'll probably know where to go to find it. Be it an artsy (historical or aesthetic) or a geeky (hardware or software) issue I will try my best - promise!

If there are any preferences for the types of post that I put up about photography in the future just let me know in the comments. I am more than happy to cover anything related to photography, e.g. tutorials, history, philosophy, composition, hardware/software, business or to mix it up.

-Steve

Update: I didn't think the poll had taken so I removed the explanation. Basically the first part is a category and the second is just an example of a post that could fall under that category e.g. Philosophy would be a category and Modernism vs Post Modernism would be an example of a post that could come under that category. Clear as mud I know.


Poll
Preferences for future posts?
How to: Camera Settings - The Basics
Philosophy/history: Modernism vs Post Modernism
Photo Essays: Mailboxes of the Midwest
Photographers:Garry Winograd - Street Photography
Composition: What is the Rule of Thirds?
Mix it up
Something else - please explain in comments

Results

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jar for stevej (15.50 / 2)


"Indeed, if a poor man will spend a year in prison for stealing out of hunger,
how high would the gallows need to be to hang the rich man?"
~The Patrician in 'Snuff' by Terry Pratchett



Thanks RiaD (12.50 / 2)
Knew that I'd forgotten something!

[ Parent ]
steve (15.00 / 2)

i'm so glad to have you here.
we have our daughter & granddaughter (the princess) visiting for a week.
i'm here only in short snatches for the duration.

please make yourself at home, look around...

i look forward to these posts
whatever you want to share would be great.

"Indeed, if a poor man will spend a year in prison for stealing out of hunger,
how high would the gallows need to be to hang the rich man?"
~The Patrician in 'Snuff' by Terry Pratchett



the irony (13.00 / 2)
of minimalism is that it is imbued with so many layers of meaning by the viewer.  Light and shadow; space and negative space.  Objects that have a slightly different meaning to everyone who views them.  Finding the simple in the complex and the complex in the simple.

This is just fantastic.  Thank you so much for bringing this series here.  


side track... (14.00 / 2)
i think that's why i like mishima's Saturday Art! so much.... how i view his delightful figures varies depending on my state of mind.

"Indeed, if a poor man will spend a year in prison for stealing out of hunger,
how high would the gallows need to be to hang the rich man?"
~The Patrician in 'Snuff' by Terry Pratchett



[ Parent ]
I dare say the verdict is in: (13.00 / 1)
Mix it up!

That said, I love the composition of your second photo: the one of the bishop.  I don't particularly care for bishops when it comes to chess, but that is one damnfine photo.

English usage is sometimes more than mere taste, judgment and education - sometimes it's sheer luck, like getting across the street.
E. B. White  



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